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Oil on gessoed paper
My parents were married for 53 years. During my mother's final illness, while she drifted in and out of consciousness, my father would gaze at her, seeing not an illness-ravaged old woman, but the beautiful young girl he had married. At the point where she was increasingly dependent on machines to keep her alive, she said “Enough.” She wanted to go home to die in her own bed. In a Talmud class, during this time, I studied about a rabbi who lay dying. His devoted students prayed so hard that they kept his soul hovering, preventing it from departing. A woman servant slammed a window, and during the startled interruption of his student's prayer, the rabbi’s soul escaped. The ensuing Talmudic discussion dealt with the very same issues that I struggled with while I witnessed my mother’s debilitating illness — Are we permitted or mandated to “let someone die?” What is the spiritual as opposed to the physical nature of death? And most of all, given our technological capabilities, how do we deal with the conflict between relieving suffering and prolonging life? This painting is dedicated to my mother, Carrie Baumgart Cohen, z"l. Click here to view more Life Support paintings Click here to view paintings which explore
Dubin-Wolf Exhibit Center, Los Angeles, 1992; Talpiot Industrial Gallery, Jerusalem, 1994 Collection of the artist Available for sale |
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